The best mirrorless cameras from Sony, Canon, Nikon and more

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The mirrorless camera that best suits your needs is the finest option. After testing a wide variety of mirrorless cameras, it’s evident that there isn’t a single, universal solution. Because of this, our selection showcases the range of mirrorless cameras available on the market, from flagship hybrids to entry-level stills cameras. We’ve made an effort to provide the best option for each category of photographer, regardless of experience level or price range.

From our extensive testing, if we had to pick one overall winner, it would be the Nikon Z6 III, a mid-range full-frame hybrid with impressive 6K video capabilities, a stunning EVF, fast burst shooting rates, accurate subject detection autofocus, and Nikon’s dependable, robust build. However, it could be less or more than you require.

Our guide is intended to provide you with frank advice when you’re looking for a new mirrorless camera. We’ve spent a lot of time hands-on with each model to get a sense of everything that makes a camera great, including how it feels in the hand, how it functions in various environments, and how the final photos actually turn out. We’ve graded and ranked our favorites based on this assessment, outlining precisely how and why we believe each one stands out in its own unique way.

QUICK LIST

• BEST OVERALL : Nikon Z6 III
• BEST BEGINNER : Canon EOS R10
• BEST FOR PROS : Sony A7R V
• BEST FOR VIDEO : Panasonic Lumix S5 II
• BEST APS-C : Canon EOS R7

The best mirrorless cameras for 2024

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We spend hours testing every product or service we review, so you can be sure you’re buying the best.

Complete reviews of each of the top mirrorless cameras on our list can be found below. We have thoroughly tested each one, so you can be certain that our suggestions are reliable.

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1. Nikon Z6 III

The best mirrorless camera for enthusiasts

SPECIFICATIONS

Sensor size: Full-frame

Resolution: 24MP

Viewfinder: 5,760K dots

Monitor: 3.2-inch vari-angle touchscreen, 2,100K dots

Autofocus: Hybrid AF

Maximum continuous shooting rate: 20fps no restriction, up to 120fps in APS-C crop

Movies: 6K at 60p

User level: Intermediate

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We weren’t prepared for the magnitude of the improvement that Nikon’s third-generation Z6 III would bring. It has a number of noteworthy improvements over the Z6 II that also give it the advantage over formidable competitors like the Canon EOS R6 II and the Sony A7 IV, which is overdue for an upgrade. These improvements include better subject detection autofocus, a 3.5x faster “partially stacked” sensor that lessens rolling shutter, up to 120 frames per second burst shooting with pre-capture, Nikon’s best-ever EVF, a gorgeous 5.76m-dot unit with dazzling 4,000 nits of brightness, and the DCI-P3 color gamut.

This full-frame model belongs to the category of mid-range all-arounders. Its 24.5MP sensor doesn’t offer the highest detail in the class, but it does offer lightning-fast burst shooting—20 frames per second in RAW and JPEG with continuous autofocus and auto exposure, or up to 60 frames per second in JPEG at full resolution. But the real star of the show is Nikon’s most recent autofocus technology, which is sensitive down to -10EV, making it almost the best in low light. It also has the newest subject detection modes, which proved to be quite helpful when we tested it by taking pictures of basketball players.

The Z6 III’s video specifications are excellent; it can record 6K video at up to 60 frames per second in-camera, oversample 4K raw, standard 4K at 120 frames per second, and 10x slow motion at up to 240 frames per second in Full HD. The record time of 120 minutes is noteworthy as well, even without a cooling fan. The now-less expensive Z6 II can still be a good choice if you don’t take many action shots or videos.

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2. Canon EOS R10

The best mirrorless camera for most beginners

SPECIFICATIONS

Sensor size: APS-C

Resolution: 24.2MP

Viewfinder: 2,360K dots

Monitor: 2.95-inch articulated touchscreen, 1,040K dots

Autofocus: 651-area AF

Max continuous shooting rate: 15fps (mechanical), 25fps (electronic)

Video: 4K at 60p

User level: Beginner

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While there are less expensive mirrorless cameras available for novices, none of them can equal the Canon EOS R10’s versatility. Based on our testing, the Canon EOS R10 stands out for beginners due to two features: its excellent subject-tracking autofocus that covers 651 AF points and its 15 fps burst shooting rate. The combination of these two characteristics makes the R10 an excellent performer in a variety of situations, especially with rapidly moving subjects. It performed very well, in our opinion, at tracking subjects’ eyes.

It’s not the best camera for novices: we thought the EVF was a little small, and we noticed that it didn’t have image stabilization, which is a feature that competitors like the Olympus OM-D E-M10 Mark IV (below) had. However, we also discovered that the R10 is a very forgiving camera for beginners to use because of its deep grip and light weight. Positively, we also mentioned in our evaluation how useful the AF joystick was. The absence of native lenses for Canon’s RF mount is the lone significant negative. The R10 is a flexible choice for beginning photographers in every other way.

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3. Sony A7R V

The best high-resolution workhorse for professionals

SPECIFICATIONS

Sensor size: Full-frame

Resolution: 61MP

Viewfinder: 5,760K dots

Monitor: 3-inch tilt-angle touchscreen, 21,400K dots

Autofocus: 567 PDAF + 425 CDAF

Maximum continuous shooting rate: 1fps

Movies: 4K at 30p

User level: Expert

Sensor size: Full-frame

Resolution: 61MP

Viewfinder: 9,440K dots

Monitor: 3.2-inch articulating touchscreen, 2,100K dots

Autofocus: 693-point AF

Maximum continuous shooting rate: 10fps

Movies: 8K at 24p

User level: Advanced

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The Sony A7R V, with 61MP, maintains the same class-leading resolution as its predecessor, the A7R IV. However, our review showed that the A7R V is an overall better camera because of a new sensor and a potent Bionz XR processing engine. When combined with excellent lenses and up to eight stops of image stabilization, we discovered that it was able to capture remarkably detailed images. Professionals who shoot landscapes or studio subjects will find the A7R V to be an ideal choice because to its exceptional image quality.

While its AI-powered Real-time Recognition AF wasn’t perfect in our tests, it was able to lock onto a variety of subjects with reliability; it performed especially well with humans, even in larger environments. Its flexible touchscreen allows for helpful framing flexibility, and the EVF is just as good as the one on the A7S III. The A7R V is a significant improvement over the A7R II if you’re looking for a high-spec full-frame powerhouse and are willing to pay the premium. However, the A7 IV may offer better value if you can’t buy the best lenses, want to record 4K video in slow motion, or just don’t want such high resolution.

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4. Panasonic Lumix S5 II

The best compact full-frame hybrid for video

SPECIFICATIONS

Sensor size: Full-frame

Resolution: 24.2MP

Viewfinder: 2,360K dots

Monitor: 3.0-inch vari-angle touchscreen, 1,840K dots

Autofocus: 225-area AF

Maximum continuous shooting rate: 7fps

Movies: 6K at 30p

User level: Enthusiast

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The Panasonic Lumix S5 II is a deserving replacement for the S5, which was one of our favorite video cameras. Similar to the S5, the S5 II is priced as a hybrid device, although its strongest suit is video. We discovered during testing that the film in 6K/30p was detailed, rich, and had a wide dynamic range. Its 10-bit recording at nearly all resolutions and its capacity to capture uncropped footage in the full 3:2 aspect ratio of the sensor—useful for cropping content—bolster its video capabilities. During testing, we also discovered that it was comfortable to hold yet robust. Thankfully, the physical controls are not compromised by its tiny form.

Panasonic’s first mirrorless camera incorporating phase detection autofocus for video is the S5 II. It produces crisp, steady footage even when shooting handheld when combined with efficient image stabilization, though it’s unfortunate that the 4K/60p video has a 1.5x cut. With a Micro Four Thirds sensor, the Panasonic Lumix GH6 is a more portable video powerhouse, while the Lumix S5 IIX will appeal to dedicated videographers. Still, the S5 II is an excellent full-frame hybrid camera for high-definition footage.

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5. Canon EOS R7

The best APS-C mirrorless camera from Canon

SPECIFICATIONS

Sensor size: APS-C

Resolution: 32.5MP

Viewfinder: 2,360K dots

Monitor: 3.0-inch tilt-angle touchscreen, 1,620K dots

Autofocus: 5,915-point AF

Maximum continuous shooting rate: 15fps (mechanical shutter), 30fps (electronic)

Movies: 4K at 60p

User level: Hobbyist / professional

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With a smaller APS-C sensor, the Canon EOS R7 is similar to one of the company’s full-frame EOS R cameras. It’s quite powerful for the price, especially if you enjoy photographing sports or wildlife scenes. This is due to its burst speeds of 15 frames per second (or 30 frames per second if you utilize the electronic shutter). The EOS R7 can achieve these speeds, according to our tests, but it can’t maintain them for very long since it lacks the deep buffers of its full-frame siblings, the EOS R6.

The EOS R7 is a camera that will entice lovers of the pro EOS R series as a second body in addition to capturing fast-moving animals. It also boasts two UHS-II card slots, ergonomic handling, and Canon’s most recent subject-tracking AF system. The sole drawback? For the APS-C sensor of the EOS R7, Canon has only produced two native lenses thus far. While you wait, you can always mount your current RF lenses or convert your older EF lenses from Canon DSLRs. More should be on the way.

How to choose the best mirrorless camera for you

While now is a terrific time to purchase a mirrorless camera, the options are a little bewildering. Photographers and videographers have never had more options because to an explosion in selection from companies like Canon, Sony, Nikon, Fujifilm, Panasonic, and a revitalized Olympus, available at all price points.

So where should we begin? The nature and shooting style of a camera may frequently be inferred from its sensor size. Professional and enthusiastic amateur models will use an APS-C chip, which is somewhat smaller than a full-frame sensor. While not nearly as portable as cameras with Four Thirds sensors (from Panasonic and Olympus), the latter are often more compact and less expensive than full-frame cameras.

Electronic viewfinders (EVFs) are another crucial component to consider; although they increase the price, they are almost a need for most photographers. It’s important to think about the type of lenses you’ll require.

If you like to focus on a certain region (such as macro or wide-angle architecture), make sure the system you’re considering has the features you need. Fujifilm has a large selection of options at most focal lengths for crop-sensor APS-C cameras, whereas Sony currently has the most options in the full-frame mirrorless market.

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Mirrorless or DSLR: what’s the difference?

Since the introduction of the first mirrorless cameras, there has been much discussion about mirrorless vs DSLR cameras. The greatest option for you will always be your own, even though the majority of manufacturers are currently concentrating on packing mirrorless models with the newest technology. There are a few significant differences between the two formats, but our in-depth mirrorless vs. DSLR comparison should help you choose which is best for your purposes.

Similar to DSLRs, mirrorless cameras let you swap out lenses. However, they don’t use a mirror to focus light onto the sensor within, in contrast to DSLRs. Rather, the sensor receives and processes light immediately. Compared to a standard DSLR, they can be made smaller because they don’t require a large mirror. More potential shutter speeds also result from not having a mirror to move.

The viewfinder is the other significant distinction. Mirrorless cameras either employ an electronic viewfinder or force you to compose using their rear screen, whereas DLSR cameras use an optical viewfinder to aid with scene framing. The former is no longer a deal-breaker because modern EVFs are bright and sharp, providing you with a realistic preview in real-time together with the benefit of data readouts. However, the latter can be problematic in bright settings.

Initially, mirrorless cameras had smaller sensors than DSLR cameras, but a variety of full-frame and APS-C mirrorless devices are now available. This indicates that there is no discernible difference in image quality between the top mirrorless and DSLR cameras.

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Why are mirrorless cameras better?

Is a DSLR superior than a mirrorless camera? Read our guide on Mirrorless versus DSLR cameras to learn more about the many advantages and disadvantages of each type.

Undoubtedly, mirrorless cameras provide greater options. There are essentially just two major contenders in the DSLR market: Canon and Nikon. If you decide to go with a mirrorless camera, you have access to a far wider selection of manufacturers. Canon, Panasonic, Fujifilm, Sony, Olympus, and Leica are just a few of the companies that provide a variety of cameras to fit a variety of budgets.

All of the main camera manufacturers currently have something to brag about, and their most recent models are sufficiently unique from their competitors to make them stand out in some manner.

Even though it would have been extremely simple to choose ten expensive models to include in our ranking of the best mirrorless camera, we have also made an effort to include some more reasonably priced choices. Although these devices may not have an abundance of functions, they are nevertheless excellent choices for novice users and those on a tight budget. Having said that, check out our top advice for beginners using mirrorless cameras if you’re specifically searching for one at a low cost.

Discover the top mirrorless cameras available on the market right now by reading on, regardless of whether you want a better camera than the one on your smartphone or a sophisticated, high-end one to inspire even more creativity.

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Are mirrorless cameras good for beginners?

The best entry-level mirrorless cameras provide everything a beginner might possibly need at the beginning of their photographic adventure, while flagship models may be made to satisfy the needs of hobbyists and pros.

Many of our top picks for entry-level mirrorless cameras are lightweight, manageable for novices, and still provide the kind of performance that will help you advance as a photographer. The precise specifications differ from one camera to the next, but a strong sensor and dependable focusing are typically the mainstays.

Because of their touchscreen interfaces, the majority of mirrorless cameras not only balance performance and price, but also make learning easier for novice users. If you’re switching from a smartphone, these should feel familiar even to a complete novice.

You won’t often gain access to all of the more sophisticated functions featured on more expensive mirrorless cameras if you choose a starter model. This could mean giving up burst shooting capabilities, in-body image stabilization, or even the frame rate at which a camera can capture 4K video. Even so, mirrorless cameras are still a good option for beginning photographers. Additionally, when your talents advance, you’ll be able to switch to new glasses because their lenses are interchangeable.

The ‘Novices’ section above features a few of our top picks for mirrorless beginners cameras; however, our comprehensive round-up of the finest beginner mirrorless cameras has a wider range. Options for every taste and budget are available there, from the greatest entry-level all-arounders to mirrorless hybrids with a concentration on videos for aspiring vloggers.

How we test mirrorless cameras

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Since purchasing a mirrorless camera these days is not cheap, we have thoroughly examined each camera included in this list. These days, standardised tests for aspects like ISO performance are not as important as real-world testing, which provides the most insightful understanding of a camera’s performance and character.

Firstly, we examine the camera’s layout, functionality, and controls to determine the type of photographer it is intended for and who would most enjoy using it. We will test its startup speed and determine its capabilities by using it both handed and on a tripod during our shoot.

We use a formatted memory card (the fastest supported type, such as CFexpress A or B, UHS-I, UHS-II, and so on) and shoot in both raw and JPEG (if available) in order to assess performance. In order to maintain consistency, we test the actual performance of the camera’s continuous high burst mode for high speed shooting using the same camera settings (1/250 sec, ISO 200, continuous AF). We’ll run the test for both raw and JPEG files and examine how quickly the buffers clear.

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We also test the camera’s multiple autofocus modes (Face and Eye AF) in single point, area, and continuous modes under varied lighting circumstances. In order to gain an understanding of the metering and the sensor’s capacity to manage noise and capture fine details, we also take a variety of images in both raw and JPEG formats, specializing in portrait, landscape, low light, macro, and close-up shots.

We’ll also process a few test photographs to see how we can push areas such as shadow recovery if Adobe Camera Raw is able to process the raw files from the camera. In order to get a feel for the ISO settings we’d be willing to push the camera to, we’ll also evaluate the ISO performance throughout the entire range.

Although the official CIPA ratings are a useful tool for estimating expected battery life, we conduct our own real-world tests to ensure that the screen brightness is set to its factory setting. We’ll count the number of shots after the battery runs out of power to compare it to the camera’s CIPA rating. Lastly, we use the companion app to record some test footage at various frame rates and resolutions to assess the camera’s video capabilities.

Before making our final decision, we consider all we’ve learned about the camera and take its price into account to determine how much value it gives.